http://www.tudou.com/programs/view/OnDEjVH_dlA/?rpid=111250551&resourceId=111250551_06_05_99

today，my son was born，and today is the date i had study whistles 8 months by myself。

Hi Shao-yang,

I like the way you improvise it. It sounded more of a piccolo rather than a whistle. The sound was soothing and relaxing. I think you are using a technique of note gliding or glissando.

Where instead of hitting the note directly you are briefly passing on the other notes.

Example is from hitting D and G consecutively is
In Whistle technique you just blow and lift the fingers.

The glissando is like gliding the note D to note G where you hit the note E and F# briefly.

The glissando creates a soothing effect on slow music and is much more common in flutes and other woodwinds.

Long notes and glissando is common on East Asia, where there are minimal accent/stress on the notes.

In comparison with Irish Trad, trad is more of beats and consistent measure, unlike glissando where it seems free.

I kept on focusing on the Taps/Strike, Cuts or Grace notes and Rolls to keep the beat. I realized there are more that I can do without the ornaments.

Thanks for sharing this.

I also noticed that you play on two different scales D major and G major....i like how you transition, it was so smooth.

I love your breath vibrato as well.

Really it is finger vibrato?

Normally finger vibrato sounds like a weak taping ornament repeated over and over and the breath vibrato sounds smooth. Im amazed how you do the finger vibrato.

Regarding the keys,
Im referring to the arrangement.

Its very crucial when you shift a scale specially that D and G major are 3 scales apart. They have the same keys except on the C# and Cnat.

They may sound similar but the effect of shifting them back and forth requires transitional keys or chord s to prepare the ear that the keys are changing.

The background sound added the soothing transition which i really liked.